We help and encou­rage North Texas wri­ters of all gen­res and expe­rience levels to pro­duce pro­fes­sio­nal qua­lity wri­ting sui­ta­ble for publi­ca­tion. We do this by pro­vi­ding read and cri­ti­que ses­sions, edu­ca­tio­nal acti­vi­ties, net­wor­king oppor­tu­ni­ties and a wel­co­ming, inc­lu­sive atmosphere.

  • Upcoming events

    Friday, April 22, 2016 at 08:00 AM through April 25, 2016 · $420.00 USD · 3 rsvps
    Fort Worth Convention Center in Fort Worth, TX

    2016 DFW Writers Conference



    April 23-24th

    Fort Worth Convention Center
    Fort Worth, Texas


    The DFW Writers Conference, sponsored by DFW Writers Workshop, has grown to be the premier writers conference in the southwest. Our goal is to provide writers with excellent education, networking,and industry exposure at the best value.

    Wednesday, April 27, 2016 at 07:00 PM
    Simmons Center in Euless, TX

    Wednesday Night Read and Critique

    The Workshop meets EVERY Wednesday, regardless of holidays or weather. We welcome visitors to come to any of these regular weekly meeting. There is no need to notify us in advance, just show up! It has been years since a meeting was canceled for any reason.

    We meet at 7 p.m. at the Simmons Center in Euless, TX and rarely go past 10:00 p.m. Many continue on after the meeting at a nearby IHOP on 183 and Westpark/Murphy in Euless.

  • Latest from the blog

    The Art of the Pitch

    By Rosemary Clement If you’ve never had a face-to-face pitch session with an agent or editor, it can be a little terrifying. But as a wise cliché once said, we have nothing to fear but fear itself. I’d love to tell you there’s nothing to be nervous about, but it would be pointless (and hypocritical). But I can walk you through things, including what to say and how to make the most of your time, so at least you’ll know what to obsess over. A pitch appointment is a little like a job interview for your book. Start with a smile (or try not to frown), introduce yourself, and sit down. The editor/agent will say “Tell me about your book.” Then you are going to talk for a maximum of two to three minutes, starting with the boiled down essence of your book: the genre, the main character, the primary external goal and obstacle, and internal goal and obstacle, and what is at stake for the character. It’s okay to refer to notes, but it’s ideal if you can memorize your key points and just talk about your book as naturally as possible. Remember that a pitch is not a blow-by-blow summary of your plot. Imagine you’re trying to talk your friends into spending $20+ dollars to go see a movie in 3D IMAX. You’re going to give them the most exciting story details. This is my tried and true template: "Character X is in this status quo situation when this inciting incident happens. X must accomplish this external goal but this obstacle seems insurmountable. When this complication happens, X must learn this lesson (interior growth) in order to finally (restate the end goal with regard to the climactic decision/battle/emotional boss fight) or else this terrible thing will happen (stakes)." After you’ve given the essentials, stop for a moment to 1) breathe and 2) see if the pitchee has any questions. Be prepared to expand on things like theme, B plots, relationship characters, setting, and backstory. But it’s a pretty sure bet the agent/editor will know long before ten minutes are up if they want to look at your writing. If the agent/editor requests you a submission, they’ll tell you exactly what they want (how many pages/chapters, etc.) and any other special instructions. If they don’t, clarify before you leave: “How would you prefer I send this?” (And for heaven’s sake, write it down right that moment! You don’t need to bring any part of your manuscript, not even your cover/query letter. If you want to be prepared for anything, you can have a .doc or .pdf of your query and/or your first chapter(s) ready to go on your phone or in the cloud. Here are some more things to have in your pocket: Know to whom you are pitching. Everyone has a website, and many publishing pros have blogs or social media accounts. You don’t want to sound like a creepy stalker, but something like “Your blog post about small presses was very helpful,” or, “I loved Client X’s last book,” is a good way to open a conversation and shows you care enough to spend five minutes on Google. Have an idea who your book would hang out with. If you can say “I see this on the shelf in mainstream thrillers next to James Rollins,” or, “it’s a mystery set in the near-future, with a hard-boiled, Dashiell Hammett type detective,” it not only gives them vital information about the book, but demonstrates you have given some thought to your audience as well as your story. Come prepared with questions to ask the agent/editor. You may be done with your pitch in two minutes. Don’t waste the opportunity to network. Ask about the industry, or what’s on the agent’s “wish list,” or what books are coming out that she’s excited about. Be someone people want to work with. Be early. Bring something to write on. For dress, you can’t go wrong with business casual, but be yourself (unless, perhaps, yourself is a nudist or on a strike from bathing). Take rejection with grace. Never put down other publishers, agents, or authors. Think positive thoughts so that you look less terrified and more approachable. Finally, keep things in perspective. You’re going to keep writing, and you’re going to keep submitting no matter what the outcome of this pitch interview. But you still come out ahead because you’ve made a connection. Face time with anyone in the industry is never wasted. It’s a surprisingly small town, and you should never underestimate the value of networking. That is the overwhelming benefit of the face-to-face pitch—it includes the human connection. If you’re a person that agents and editors want to work with, they’re going to be eager to find a project to work on with you. If not the one you pitch today, then the one you query in six months, or next year. A writer is more than one book. So, be nervous, but don’t be fearful. You love your book. Organize your thoughts ahead of time, do your homework, and then enjoy the fact that you wrote an awesome book and get to tell someone all about it. The February 2016 newsletter for The Knight Agency includes an article by Elaine Spencer about preparing for an in-person pitch. (Not coincidentally, some ended up in this blog post.)  There is a handout on pitching your book on my website called, “The Big Pitch.” The pdf will open in your browser. About Rosemary:  She had the worst time deciding what she wanted to be when she grew up, so naturally she became a writer. Her current obsessions change frequently, but this never does: She loves coffee, dogs, history, Jane Austen, archaeology, fantasy novels, comic books, Gilbert and Sullivan, BBC America, Star Wars, books with kissing and movies with lots of explosions. She lives in Texas but her dream is to move to a cottage. Or maybe a castle. It doesn’t have to be fancy, as long as it has wi-fi. She is a lifetime member of the DFW Writers' Workshop.   
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    Soldier On and Write for a Better World!

    by Jennifer Duggins 2016 DFWCON Conference Director Writers are the soldiers of truth and fiction, and with our position as the voices of our age, it’s important that we are aware of our social responsibility. What we have to say and the manner in which we say it can make the world better or destroy it one word at a time. There has been heated debate over the past 5 years about the state of publishing and the importance of reading as a leisure activity. In education, there is constant conversation about literacy and what knowledge is relevant in modern literacy. Our seats are front and center to an intellectual and cultural transformation, and we can be the drivers of destiny. So where will we drive Miss Destiny? Perhaps you sense that your writing is solely for entertainment. Maybe you write about lust, greed, two-eyed cunning space monsters with bad breath, or women who juggle harmonicas, and you just feel that things are going too hippy-dippy. I’m not suggesting that you shift your paradigm completely. But ask yourself HOW you’re writing about women. Is your writing an accurate portrayal, or is it some easy facsimile of the more complicated person? Are you using phraseology to present the two-eyed, bad-breathed space monster in a way that lends dignity to your work? So many writers don’t even realize that they have inadvertently been offensive, misinformed, or clueless, and their work languishes unread. This year’s DFW Writers Conference theme, “Writing for a Better World” is about writing with awareness of the age in which you live and the people and creatures who share the planet with you. With awareness, you have the power to influence others and make a profound impact, no matter what you write. With awareness you are master of your words instead of a slave to them. With awareness you’re in the driver’s seat and the future is wide, wide open. If you haven’t already, get your tickets for the DFW Writers Conference. This year the conference classes embrace these ideas of diversity and awareness. Special guest speaker and New York Times bestselling author Christopher Golden chose to attend in 2016 because he wanted to talk about these themes and how they’ve impacted his own writing. Our two other special guests Thomas Kunkel and Tara McKelvey have incited changes in thinking with their work. Kunkel’s non-fiction work Man in Profile: Joseph Mitchell of the New Yorker has been controversial and enlightening, and McKelvey’s Monstering: Inside America's Policy on Secret Interrogations and Torture in the Terror War gives us an inside look at the politics of the war on terror. These are exciting times to be a writer. Prepare to make a difference and learn from those who are already changing the way we think.
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